Stop Describing Your Destination Like This: A Formal Plea

Hilary Kanuch
October 4, 2025
7 min read

The year was 1904, and Bessie Anderson Stanley wrote a poem that tried to pin down a good life. One single line, “lived well, laughed often, loved much,” escaped the page and went roaming. 

Decades later it resurfaced on mugs and mantels and by the late ’90s—especially the 2000s—big-box aisles and Rae Dunn–style script turned “Live, Laugh, Love” into a home-goods juggernaut. By 2025, the once-coveted signs are stacked in thrift stores, and younger audiences on TikTok poke fun at them with affectionate disbelief. That shift doesn’t make the phrase bad; it just means culture moved on like it always does. Most trends crest and eventually overstay their welcome. That’s why they’re trends. 

Tourism has many versions of that arc. Take “Live, Work, Play”—originally a community-development framework, not a visitor promise—and its cousins like “Something for Everyone,” “Find Yourself Here,” and descriptors like “Vibrant Arts Scene.” They’re all useful ideas that, once mass-adopted, drifted into generic marketing. But when every destination wraps itself in the same blanket, you can’t tell one place from another. If your copy could be pasted onto any town’s website, travelers will treat it like background noise.

This post is about moving past generic messaging. Not because warmth and welcome are wrong, but because vagueness doesn’t help anyone get interested. We’ll name the phrases that flatten you, show how they got there, and swap them for language that actually moves a trip forward. Because these days, most of us can’t afford not to. 

The cost of generic language

First, a little grace. I want to be clear that phrases like vibrant arts, quaint downtown, or even live, work, play aren’t villains; they’re just generics. But ultimately,  it's important to remember the point of all of this work is to convert

A destination’s goal is visitors, which means every tactic, down to the most basic line of copy, should have a job. 

Travelers aren’t looking for “everytown.” They’re looking for a place with a point of view and somewhere they can picture themselves, today, doing something specific. 

This is your chance to show who you truly are. The one thing that nobody else can be. 

Here are some of the first places you have to influence people’s perception of your destination.

Taglines and slogans

A tagline is often one of the first true branded encounters someone has with your destination. It's your one shot to give people a quick taste of your personality. Keep it short, specific, and unmistakably you.

What a tagline should be

  • A compact point of view in a few words.
  • Ownable to your place (a neighbor shouldn’t be able to use it unchanged).
  • Portable across channels (site hero, print cover, ads, signage).
  • A consistency anchor for the rest of your voice.

Common ways taglines go generic

  • Experience it all
  • See yourself here
  • Something for everyone
  • Stay, Dine, Explore
  • Explore more
  • Endless possibilities
  • Unforgettable experiences
  • The place to be
  • Experience the difference
  • Where memories are made

These aren’t “bad” in principle, however, they are indistinguishable. They don’t tell me anything about your destination, and honestly, who wouldn’t expect to “experience,” “explore,” or “make memories” on any trip? That’s table stakes. When your tagline promises the bare minimum, you brand yourself as the bare minimum. Aim higher: say one thing only you can say. Anchor it with a local noun, a weekly rhythm, or an ownable contrast—something a neighbor couldn’t copy without sounding wrong.

Taglines that work (and why)

The best taglines hinge on an ownable truth, imply a clear benefit, and are portable (they work on a billboard, a tote, a mic intro). They say a lot with a little. There are no laundry lists, just one sharp idea you can prove everywhere else in the brand.

Let’s take a look at some popular examples

What happens in Vegas, stays in Vegas

  • Why it works: It names the city’s social contract—permission, privacy, adult freedom—without listing a single amenity. It’s unmistakably Vegas and endlessly repeatable.
  • What it alludes to: Nightlife, escape, and the idea that the rules are different here.

100% Pure New Zealand

  • Why it works: A simple promise pinned to an identity the country can prove in every image and itinerary (nature-forward, elemental). The clarity and ownership even inspired riffs like “Pure Michigan.”
  • What it alludes to: Unspoiled landscapes, a national ethos of care, restorative travel.

Pure Michigan

  • Why it works: Two words, big feeling. Season-agnostic and region-flexible, it keeps “pure” as the North Star while letting the campaign fill in beaches, lakes, fall color, and small towns.
  • What it alludes to: Fresh, simple, back-to-what-matters time in nature and small communities.

Ethiopia: 13 Months of Sunshine

  • Why it works: A clever, ownable number tied to the country’s 13-month calendar and reliably sunny weather. It grabs attention, sparks curiosity, and ties culture to benefit.
  • What it alludes to: Year-round travel, warmth (literal and cultural), something different you’ll only find there.

What to take away from these

  • Pick one truth only you can claim (a number, a rhythm, a social contract).
  • Make a single promise, not a list.
  • Keep it portable and elastic so campaigns can extend it without breaking.
  • If a neighbor could use it unchanged, it’s not done yet.

Offerings (how to describe them without sounding like everywhere)

Another early place you influence perception is your offerings, including the way you frame what to see, eat, and do across your site and guides. These lines usually show up as the first sentence on your website sections—Things to Do, Eat & Drink, Events, Plan Your Visit—and in visitor guides and social bios. Their job isn’t to list everything; it’s to frame the category with a unique point of view.

Where you encounter offerings copy

  • Section intros on your site (Things to Do, Eat & Drink, Events, Plan Your Visit)
  • First paragraph of a visitor guide spread
  • Meta descriptions and social bios/captions that summarize a category

Common ways offerings intros go generic (phrases to avoid when they stand alone)

  • Vibrant arts scene
  • Foodie paradise
  • Hidden gems
  • Conveniently located
  • Rich history
  • Something for everyone

How to make specificity fit the space

When it comes to offerings, sometimes you’ve got room for a sentence; sometimes you’re squeezing a few words into a description, and sometimes you genuinely only have one word that will fit on a button, in which case “Architecture” is fine. You don’t want to be confusing. However, when you have more space, use it wisely. The general rule is: If you can’t explain why it’s “vibrant,” “historic,” or “convenient,” at some point, you’re probably losing the reader.

Here are some ways to tackle it:

When you only have a few words:


Use place nouns and, when possible, a number, era, day, or landmark.

  • Instead of Arts → Walkable Mural Tours & Art Studios
  • Instead of History → 200+ Historic Homes
  • Instead of Food & Drink → Chef Counters & Late-Night Bites
  • Instead of Outdoors → Riverwalks & Lake Loops
  • Instead of Family → Splash Pad & Pocket Parks
  • Instead of Nightlife → Over 15 Late-Night Entertainment Venues
  • Instead of Access → City in 20 Minutes <or> Park Once, Walk Everywhere

When you have a sentence (section intros, guide blurbs):

Don’t add fluff: name a place, add one fact (a count or time), and hint at the vibe.

  • Arts & Culture: Arts District: first-Friday open studios along a mural corridor—easy on foot.
  • History: Heritage District: 1890s streetscapes and a restored neon marquee—rail-town roots.
  • Outdoors: Riverfront: a 1.5-mile lakeside loop and riverwalk—shade by day, big skies at dusk.
  • Eat & Drink: Downtown & Off-Main: chef-led kitchens and a two-block BYO row—late slices after shows.
  • Family: Town Square: play fountains and pocket parks—quick bites within a five-minute stroll.
  • Access/Base: Transit Base: quiet nights; the city in 20 minutes by train.

When every word earns its keep, you don’t have to shout. Say less, mean more, be unmistakable.

Stop being everyone. Start being you. 

People are done with generic. What they want is personality, proof, and a highly curated point of view. Give them all three, and your place stops blending into the scroll and starts becoming the plan.

Don’t know where to start? At Kick Push, we blend storytelling with data-driven strategy to turn destinations into must-visits. We partner with destinations to craft the right stories around what you already have, and we use data (search behavior, click paths, booking signals, user intent) to surface opportunities you might not even know are there. Our job is to help you stand out in the best way possible: clear, specific language that moves people to visit. Ready to take the first step? Reach out and let’s turn your “nice vibe” into a must-visit destination.

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Hilary Kanuch
Principal | Content
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Kick Push
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